Never A Bad Day At Logan Pass
posted: June 30th, 2006 | by:Bert
PURSUING PHOTOS AND PROSE
With Kayaks, Mountain bikes, Backpacks, Daypacks, Walking Sticks, Fishing Poles—and an Airstream Travel Trailer
©Bert Gildart: Logan Pass in Glacier National Park is a photographer’s delight, even when a few stacked clouds interpose themselves between my camera and the sun that in June rises over the Garden Wall about 5:30 a.m. On days when the sun is unfiltered, it can illuminate Mount Reynolds, Mount Clements, Bear Hat, Heavy Runner, Bishop’s Cap—and a host of other grand mountains in ways that can create some of the most stunning and compelling compositions in the country. Point your camera in almost any direction, and daybreak at Logan Pass on a sunny day can not be beat.
Yesterday morning, however, conditions were not ideal, but that doesn’t mean we had a bad day.
Expecting a repeat of the faultlessly blue skies we’d been enjoying all week long in Montana’s Flathead Valley, I rendezvoused at 4:30 a.m. with photographer friend Tom Ulrich and the two of us made the 40-minute drive from West Glacier to Logan Pass along the famed Going-to-the-Sun Road. Because torrential rains had produced mud slides that covered the road, the road opened later this year then it had in decades, frustrating us photographers, desirous of making our annual pilgrimage to this mountainous shrine. But our early morning jaunt was worth the effort despite the muted sun.
Practiced photographers learn to work under a variety of conditions, and after over 30 years of making images, I place my self in that category, and when the light was not perfect for landscapes we turned to flowers now emerging.
Up here at 6,000 feet, spring arrives late, and flowers that we’d seen in the valley were only now appearing at Logan Pass.Brilliant yellow glacier lilies carpeted areas that were covered with snow just days before, and they interspersed themselves between the vast banks of snow that still covered the ground.
These lilies derive their energy from tubers that are edible.
In the spring, they are a favorite food of grizzly bears and so we maintained a wary eye. Other plants emerging include the anemones and the tiny spring beauty, and we focused on them, too.
And then, we found a white-tailed ptarmigan, now in summer plumage, and for awhile we photographed this exceedingly tolerant species, wondering at times how it had escaped its many predators.

Because the sun was still muted, we used flashes, creating the type of light that makes for better photographs.
But our greatest find of the morning were several families of goats, which we stumbled across as we left Logan Pass and began our return home.
For both Tom and me, the chance encounter provided wonderful opportunities. The goats were all poised on rocks and two kids (the goat kind) seemed to be playing a game that we might call “King of the Mountain.”
First, one of the two young would leap on the rock, followed close behind by the other, who would try and shove off the first. From such play, young kids develop strength and coordination.The pair looked as though they had been born only weeks earlier and how they contrasted with the adult billies and ewes.
Both of the kids were fully furred, unlike the adults that were now shedding in great swaths. Because so much bare skin showed on the adults, they appeared to be suffering from the mange, but it’s all a normal response to summer heat.

Newborns, however, need the extra warmth.
Despite the washed out sun, we both considered the trip worth the effort. We had arrived at 5 a.m. and were now departing at 9 a.m., and as we did, we turned for one last photograph of a big billy that suddenly emerged from a rocky crevasse.
Looking at the image on the screen of my Nikon D-200, I realized that it is almost impossible to ever have a bad day at Logan Pass.
Lyle is stationed at Kintla Lake in Glacier National Park, working out of the same ranger station at which I worked in 1965, while still in college, and the same one Janie and I visited this past weekend while tent camping at Kintla. In those days, to hold the job, you had to demonstrate the capability of dealing with the public at all levels. As well you had to be able to support fire-fighting efforts, hike trails, operate a chain saw, and operate a boat, among other things.
“ ‘No, no,’ ” they said. “ ‘That’s not the case at all. Please send us a copy right away.’
Bert Gildart: Kintla Lake, located in the most extreme northwestern portion of Glacier National Park, is probably the most remote lake in the park that can still be accessed by a vehicle. The last 15 miles of the road, however, is bumpy, narrow and windy. In places you have to check overhead clearance, particularly if you are toting kayaks as were we.
Since I worked at Kintla, more has been learned about the area. Once Indians used the lake’s shore, and because archaeologists found a Folsom point near the campground, digging—even of trenches around tents—is not permitted. Size restrictions have also been placed on the types of RVs that can use the area, and that is not only to create a more wilderness type atmosphere, but to help protect RV units themselves. Trailers over 19 feet are not permitted, meaning that when we visit the area we do so with a tent (our Airstream is 28 feet long).
©Bert Gildart: Bottom line, I guess, is that I made one successful roll during my second lesson last night with Sue Conrad of 
©Bert Gildart: It’s not normal to hang upside down in a kayak—trying to gain a perch for placement of your paddle on the water’s surface so that you can then right yourself with a flick of the hip into an upright position, but it’s what I found myself doing last night.
Essentially what you’re trying to do is bring your paddle to the water’s surface and then sweep it as you simultaneously flick your hip, all while upside down. “It’s not a power thing,” repeated Sue Conrad of
That thought was so compelling I even missed the gorgeous rainbow Janie captured in one of her photos.
Bert Gildart: The Northwest Outdoor Writers’ Association, a local affiliate of the national association, inaugurated its first photo contest several weeks ago, and fortunately, perhaps, for me, the annual convention was held in Whitefish, Montana, my backyard. Contest organizers provided participants with a list of five categories that include wildlife, scenic, family camping, and outdoor travel. Participating photographers could win a prize in each category, and then if they placed high in a number of categories, they could win a grand prize for best portfolio. Each participant was given five rolls of film and then we were told we had from 6 a.m. to 6 p.m. to fulfill the assignment.


This past spring I received several telephone calls from Tom Ulrich, a photographer friend, asking if I’d yet learned how to work with raw images. Though we’re both Montana based, we travel extensively, and he was in Texas, while I was in New Mexico. Just weeks earlier, we’d all been in Bosque del Apache, relaxed—photographing the massive wintering congregations of snow geese and sandhill cranes. Now, we were experiencing digital difficulties, wondering if a swift kick to the mainframe of our respective computers might relieve frustrations.Problems originated when we tried to load raw images (raw is akin to your unmodified negative back in the good old days of film) from our new Nikon D-200s, which we’d both purchased, and into a dedicated program called Picture Project.
Because I was closer (in the physical sense) to answers than was Tom, I began questioning representatives, but because the camera was new and because the technology is so rapidly changing, no one person was able to provide all the answers. The frustrating fact is that this may portend the way all this digital stuff is going to go.
Happily my system is now “all goes,” at least for awhile. To celebrate, I immediately had to go out and shoot raw. It all worked, and here’s my first image, shot raw and then converted to a tiff. The image is to accompany a story on pike fishing, and one of the flies represents a mouse, the other a frog. The file loaded onto my computer defaulted to a 70 megabyte file—and even this digital newbie knows that’s huge! Now I have to figure out where to kick the computer, so as to load smaller files.
