©Bert Gildart: Often good photography requires the paring down of an immense landscape to something that has fewer elements, and that’s what I often try and do when I enter a place as beautiful as Glacier National Park’s Many Glacier Valley.

Contrary to what many say as part joke, you just can’t point your camera in any direction and shoot – even in a place as lovely as this mountainous valley. Instead you have to select and isolate, and do so critically. The famous photographer, Eliot Porter expressed my theme particularly well: “Sometimes,” said Porter, “you can tell a large story with a tiny subject.”

With those thoughts in mind, there’s an old snag about a mile or so from the Many Glacier Campground that I always stop to examine. It’s been there for a long time and provides cavity nesting birds with a home, and is another special component of a wild Glacier National Park.

On our trip of about 10 days ago, I again stopped as we entered, and found the old snag interesting — much potential, but in ways difficult to anticipate. However, those ways revealed themselves over the course of two days, for the lighting changed dramatically and did so in ways that can only be described as magnificent.

TIMING CRITICAL

The above scene is an early morning one, made just as the sun was rising. Timing was critical – for five minutes later the glow on the peaks behind the snag diminished. And then, a snow squall followed.

The second image was made again in the early morning (the next morning, in fact), but following a storm containing a mixture of rain and snow. The rainbow was associated with the storm and became one of the most magnificent I’d ever seen. I felt privileged to be there at that precise moment and recalled a quote from Ansel Adams:

“Sometimes,” he said, “I do get to places just when God’s ready to have somebody click the shutter.”

That’s exactly the way I felt last week, for the setting lasted but a few moments, but before the rainbow’s time on this primordial stage concluded, it expanded into a complete arc. But the arc also embraced man-made structures so lost some of its wilderness drama. As a result, I didn’t feel as though it measured up to what either Porter or Adams might have sought.

In both cases, the foreground consisted of the same old snag, but in the case of the rainbow, I chose a different location for this image so as provide a better arrangement for the two elements. (”A good photograph,” said Adams, “is knowing where to stand.”)

Together, I think the images make a nice statement and show the benefits of returning to the same setting time after time – in this case to an old snag – dead now for many years. You’ll find the gnarled trunk with its up thrust arms in the Many Glacier Valley of Glacier National Park, and I’m always surprised to see what “a huge story this tiny subject can often tell.”

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THIS TIME THREE YEARS AGO:

*Valley Forge

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This entry was posted on Monday, November 2nd, 2009 at 7:30 am and is filed under Glacier National Park, National Lands, Photography, RV Travel, Travel. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.